Bach Bibliography Search Result

Series : ^CambridgeStudMTheoryAnalysis$
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Type	List	Author	Title[further info]	Series	Vol	No	Year	Pages	Status
			[]
	1.	Rothfarb, Lee A.	Introduction.	CambridgeStudMTheoryAnalysis	2		1991	1-33
	2.	Kurth, Ernst	Grundlagen des linearen Kontrapunkts (Foundations of linear counterpoint).	CambridgeStudMTheoryAnalysis	2		1991	35-95
	3.	Rothfarb, Lee A. (ed.)	Ernst Kurth: Selected writings. Edited and translated by Lee A. Rothfarb. - Cambridge: Cambridge University Press, 1991. xvii, 235p. (= Cambridge studies in music theory and analysis, 2)	CambridgeStudMTheoryAnalysis	2		1991	xvii, 235p
	4.	Schenker, Heinrich; Siegel, Hedi	The organic nature of fugue as demonstrated in the C minor fugue from Bach's Well-tempered clavier, book I.	CambridgeStudMTheoryAnalysis	8		1996	31-54
	5.	Schenker, Heinrich	The sarabande of Bach's suite no 3. for solo violoncello [BWV 1009].	CambridgeStudMTheoryAnalysis	8		1996	55-58
	6.	Rothgeb, John; Schenker, Heinrich	A counter-example: Max Reger's variatons and fugue on a theme by Bach, op. 81, for piano.	CambridgeStudMTheoryAnalysis	8		1996	106-117
	7.	Schenker, Heinrich	The masterwork in music: A yearbook. II (1926). Edited by William Drabkin; translated by Ian Bent ... [et al.]. Cambridge: Cambridge University Press, 1996. xvii, 133p. ISBN: 0-521-45542-1. (= Cambridge studies in music theory and analysis, 8)	CambridgeStudMTheoryAnalysis	8		1996	xvii, 133p